I like the Metal Muff the best. Problem with most distortion pedals is they suck the low end out of anything run through them. The Ibanez SM7 is good as well, as it keeps the low end intact.
I used a lot of VST effects and hardware pedals which include my DOD Corrosion Pedal, Boss MT2 Metal Zone Pedal, BOSS DS-1 Distortion pedal, Digitech DF7 Distortion Factory Pedal plus Dunlop CryBaby Wah-Wah, Boss OC2 Octave and Boss DD4 Digital Delay Pedals plus the Digitech Vocal 300 works on Synths and Drum Machines and Guitars but I use a Boss DR220E Dr.Rhythm, Zoom ST224, Boss DR880 Dr.Rhythm and Alesis SR18 and a Yamaha RX5 for Drums but the Boss Drum Machines are made by Boss which is a subdivision of Roland which has the TR808 and TR909 samples in the Boss DR880 Drum Machine so I usually use a Dry 909 and modify pitch and decay then put Overdrive/Distortion and then tweak the Distortion pedal knobs.
2 comments:
I like the Metal Muff the best. Problem with most distortion pedals is they suck the low end out of anything run through them. The Ibanez SM7 is good as well, as it keeps the low end intact.
I used a lot of VST effects and hardware pedals which include my DOD Corrosion Pedal, Boss MT2 Metal Zone Pedal, BOSS DS-1 Distortion pedal, Digitech DF7 Distortion Factory Pedal plus Dunlop CryBaby Wah-Wah, Boss OC2 Octave and Boss DD4 Digital Delay Pedals plus the Digitech Vocal 300 works on Synths and Drum Machines and Guitars but I use a Boss DR220E Dr.Rhythm, Zoom ST224, Boss DR880 Dr.Rhythm and Alesis SR18 and a Yamaha RX5 for Drums but the Boss Drum Machines are made by Boss which is a subdivision of Roland which has the TR808 and TR909 samples in the Boss DR880 Drum Machine so I usually use a Dry 909 and modify pitch and decay then put Overdrive/Distortion and then tweak the Distortion pedal knobs.
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