Thursday, May 20, 2010

Review: Sounds of Revolution Minimal Techno Revolution Vol. 1


Product: Minimal Techno Revolution Vol. 1
Format: Digital download of 24-bit WAV and AIF/Apple Loops, Rex Loops, EXS/Kontakt Instrument files
Genre: Techno, Minimal, Electro
Distributed by: Sounds of Revolution
Price: €67.22
Demo: Audio demos on product page.

Oliver Schmitt is at it again, this time taking aim at the austere synth lines and geometric synth drums of the minimal techno scene. Like previous collections, the sample material is divided up among both loops and individual hits/instrument sounds. This gives you the best of both worlds allowing you to take inspiration from the loops and maintain your originality at the same time. So with that out of the way, let's have a listen...

The bulk of the collection is made up of loops (available in WAV, REX2, & Apple Loop formats) - 700 of them, to be precise. These are split into separate folders for Drum, Bass, and Synth loops. The file naming convention here is extremely helpful, listing the original tempo, the key (if applicable), and a descriptive name, making it easier to find the specific loop you're looking for. The bass loops kick off the collection with a wide range of contemporary flavors on offer. From gritty bit crushed squiggles, to fat analog moans, to hard digital coldness, just about every basic mood and style you're hearing in minimal techno these days is represented here at least a bit. The programming is funky when it's appropriate, strict when it needs to be, and the production techniques and sound design are top shelf. If something here doesn't inspire you, you may be beyond help.

The drum loops are up next and are further divided up into rather self-descriptive folders marked Clicks, Drum Kits, Experim, Hihat, and Perc. Schmitt's usual talent for creative and futuristic sounding programming continues here in abundance. All the sounds and production are absolutely current sounding and genre appropriate. All the beats are very well constructed and thought out, but even at their most cerebral, they don't lose that Teutonic, head-bobbing funk.

The synth lines are up next and run the gamut from sparsely delayed analogs to filtered funkiness to gritty gated grooves (how's that for some alliteration)? There aren't as many samples in this category as the others, but what is here is quality and will hopefully lead you into making your own creative synth loops. Attention to sound design and production continue to show through as high priorities.

As I mentioned earlier in the review, this collection also includes some individual instruments and drum sounds for constructing your own beats and loops. The sounds are available in pre-mapped instruments for Logic's EXS-24, Native Instruments Kontakt 3, and of course as the raw WAV files for you to map into any other sampler. Root keys are indicated in the file names when relevant, but the names here aren't descriptive at all, merely 'Clap 001', 'Clap 002', and so on. Even vaguely descriptive names would be helpful here for those who prefer to map out their own samples. Thankfully, the samples are subdivided into categories for bass sounds, claps, classic percussion, cymbals, electro stuff, fragments, kicks, perc, SFX, Shakers, SID, Snares, Synths, and Toms. Most of the sounds, as you may have gathered, are synth drum and percussion sounds. These all sound great and would probably interest just about anyone making music with a taste for very electronic sounding drums. While most of them are fairly light, as you would expect for minimal techno, they are all punchy, crisp, and precise sounding.

I've been amazed at the sheer number of really great independent sample developers there seem to be cropping up everywhere and it is clear that Sounds of Revolution are aiming for the top. This library, like their prior offerings, is amazingly consistent and is almost complete devoid of filler material you'd never want to use. If minimal techno is your thing and you're looking for a good sample collection to get you started, you could certainly do a lot worse than to check this one out! [10/10]

EMS VCS3 on Ebay


Info at the link...

Tuesday, May 18, 2010

Creating the Illusion of Distance

Even when one is talking about mixing to stereo (as opposed to 5.1), a song's mix can be very three dimensional.  Perhaps not literally, but in the same sense that a painter can simulate the way an image diffuses the further it is away from the viewer, it is not terribly difficult to simulate the characteristics of a sound that is far from the listener.  This can be brilliant at setting a mood and creating a real sense of depth.  Here's two easy steps that when used together can really give them a sense of three dimensional space.

1.  The first thing to remember is that, with all other things equal, a low frequency wave will travel further than a high frequency wave.  If you've ever approached an outdoor venue while a band was playing, no doubt the first thing you were probably able to hear is the rumble of the kick drum.  So distant sounds aren't very bright (in terms of tonal balance, not intelligence).  Use a lowpass filter or roll off the higher frequencies with your favorite EQ to simulate this.  The further the sound is intended to be from the listener, the more high end you should roll off.

2.  If you are standing far away from a sound source in a reverberant environment, there comes a point where you will be hearing more of the actual reverb than the original signal itself.  Thus, if you want to create the illusion of distance, you'll also want to play with the wet/dry mix on your reverb of choice.  The 'wetter' the signal, the farther away the sound will appear to be.

For best results, you'll want to utilize both of these techniques simultaneously and in the correct balance.  Nothing too difficult to figure out with a little messing around.  What about you?  Any favorite techniques for putting a sound "far away" from the listener?

Roland Jupiter 8 on Ebay

Info at the link...

ARP Eminent Solina String Ensemble on Ebay

Maybe it's the old Cure fan in me, but this was always my favorite string machine...

Monday, May 17, 2010

Happy Birthday, Trent Reznor

Aw, but it never really IS happy, is it?
American music's favorite angst-ridden mini-hulk (sorry, Glen Danzig) turns 45 today.

Friday, May 14, 2010

Debut Video from New Reznor Project How to Destroy Angels

A Return to Normalcy?


If you've been following this blog for awhile, you know that this year has been anything but normal so far as the usual regularity of updates. I released an album at the end of last year, and as a result, I've been on tour pretty much constantly since the beginning of the year. I've tried to post as often as I am able, but between the travel schedule, the lack of sleep, and all the detail juggling that goes into booking and managing a tour, the updates haven't been as frequent as they have in the past. The should change in the coming week or so.

Tonight was to be the final show of my band's 30-date US tour, but we had to cancel it due to a freak snow storm in Colorado and Wyoming. So our ragged team of musos is on its way back home for some well deserved rest. I expect things to ramp up a bit gradually, as I am completely exhausted, but by this time next week, we should see things coming back up to the usual pace.

I want to thank my readers for their patience during this crazy time and promise you can soon look forward to the return of favorites such as the product reviews, tutorials, & Free Sample Friday. I am also hoping to start creating some video tutorials and introduce some new features, but there will be a bit of a learning curve there, so you can expect that further down the line. In the meantime, thanks again for coming back even during the downtime and if there are any article topics you'd like to see covered here, by all means, bring them up in the comments!

Thursday, May 13, 2010

Free Plastic Bottle Samples


KVR forum user Phil Greens posted some free samples produced by a plastic bottle. Here's what he had to say:

"Here are 2 sets of original home cooked samples of an empty plastic bottle (24/44.1) wav + sfz (dry/ambient).

http://rapidshare.com/files/374794049/plastic_bottle.rar

Some of them have been slightly tweaked (eq/dyn).
They might sound completely useless but I thought it would do no harm to share "

Roland Promars Compuphonic MRS-2 on Ebay


Info at the link...

Circuit Bent Roland TR-505 on Ebay


Info at the link...